Kaali Duniya guest mix / Radio Alhara Liber[té]
Caste is a thing of the past, right?
Kaali Duniya lays out resistance with his music. He’s a storyteller, weaving bass, texture and negative space in this guest mix in the same way he does with BABYLON’S CAMP, his new 10 track album.
For this all-original mix for Liber[té] on Radio Alhara, he plays tracks from the album with other unreleased music of his own creation. First broadcast 1st February 2026.
LISTEN BACK TO THE MIX: MIXCLOUD APPLE PODCASTS PODOMATIC AMAZON MUSIC RSS FEED
KAALI DUNIYA ON BANDCAMP SOUNDCLOUD INSTAGRAM
KAALI DUNIYA – GUEST MIX FOR LIBER[TE] ON RADIO ALHARA, BROADCAST 1ST FEBRUARY 2026
1. Kaali Duniya – Jal Jungle Zameen (Unreleased)
2. Kaali Duniya – ID (Unreleased)
3. Kaali Duniya – Nafrat (Unreleased)
4. Kaali Duniya – Full Moon Rituals (Unreleased)
5. Kaali Duniya – Mulnivasi (Unreleased)
6. Kaali Duniya – Last Tribe Standing (Unreleased)
7. Kaali Duniya – Tarpa Dance (Unreleased)
8. Kaali Duniya – Annihilation of caste
9. Kaali Duniya – Sorrows from Eternity (Unreleased)
10 .Kaali Duniya – Gatekeeper Assassinator
11. Kaali Duniya – Babylon’s Camp
12. Kaali Duniya – Vampire’s Empire
13. Kaali Duniya – My Style
14. Kaali Duniya – 140 Percent
15. Kaali Duniya – Burn The Gates
16. Kaali Duniya – Savarna Play. Savarna Dance
17. Kaali Duniya – Stop War(Unreleased)
18. Kaali Duniya – ID (Unreleased)
19. Kaali Duniya – ID (Unreleased)
20. Kaali Duniya – ID (Unreleased)
21. Kaali Duniya – ID (Unreleased)
22. Kaali Duniya – Tukdoji in Dub (Unreleased)
23. Kaali Duniya – Words of Jyotirao Phule (Unreleased)
Dive deeper into Kaali Duniya:
Kaali Duniya, the alter ego of Tushar Adhav — a Mumbai-based producer, DJ, and emcee also known as BamBoy — is a sonic embodiment of resistance and transformation within the South Asian underground.
Through this project, Tushar channels a darker, more confrontational energy, merging deep cultural roots with cutting-edge electronic production to create a sound that is both hypnotic and unsettling.
Drawing from soundsystem culture, Kaali Duniya’s music is marked by eeriness, menace, and a tenebrous atmosphere that envelops listeners in a realm of distorted basslines, spectral textures, and ritualistic rhythms. His soundscapes are sinister yet meditative, designed not only to move the body but to provoke thought — offering an experience that is as cerebral as it is physical.
At its core, Kaali Duniya functions as a sonic protest, confronting caste oppression and social inequities through sound. His music carries anti-caste messages, weaving political urgency into a dark, immersive aesthetic. By fusing the raw power of bass culture with South Asian sonic identities, Kaali Duniya is redefining the contours of the South Asian underground, carving out a space where defiance, identity, and artistry converge.
His unwavering commitment to music and community, coupled with his authentic presence in Mumbai’s underground bass scene, has also earned him a reputation that travels far beyond the local circuit. This grassroots credibility has placed him on lineups alongside dubstep legends such as Mala, Kahn, and Killa P — a testament not only to his artistic vision, but to the cultural force he has become within the region’s evolving bass landscape.
Beyond the studio and the stage, Tushar extends this ethos into community-building through Low End Therapy — a community dance space where accessibility is the guiding principle. In a striking gesture of democratization, ticket prices are pegged to the BPM of the music being played. A full night of Deep Dubstep which is at 140BPM the Tickets cost just ₹140. By aligning cost with rhythm, Low End Therapy dismantles economic barriers and reimagines the dancefloor as a space where every class of society can gather, heal, and move together.
